at the Heart of Live Shows
Volunteer Production Area’s:
• PROPS: manage a collection of items that fit the period, script, style, size, color to help the evolution of the play.
• COSTUME DESIGN: (see more below in COSTUME DESIGNER / COORDINATOR OVERVIEW)
• LIGHTING DESIGN: based on set, scene and production to establish a supporting mood and re enforce the script
• SET DESIGN: establish a workable setting to deliver the script’s story line
• SOUND DESIGN: enforce the impact of sound from pre performance, through performance, and post performance.
COSTUME DESIGNER / COORDINATOR OVERVIEW
The Costume Designer/Coordinator is appointed by the Production Management Committee.
The Costume Designer/Coordinator is responsible for outfitting the cast with costume, hats and personal accessories appropriate to the production, reflecting style, type, period, mood, level of affluence, the nature of the character, materials, and colours. A ‘Costume Plot’ is created – a list of the cast in a show indicating costume needs for them in each scene.
The Costume Designer must attend all Production Meetings with the Director, Set Designer, Scenic Painter and Set Decorator, to cover the requirements as the Costume Plot is brought forward for approval.
Once designs are approved, the Costume Coordinator arranges with the Director and Stage Manager for actors measurements to be taken – usually at the read through.
The Costume Coordinator attends and assists at any photograph sessions arranged by the Production Manager and Publicist.
The Costume Coordinator assembles costumes. The first source is the Theatre’s Wardrobe, and the Wardrobe Manager. The next source, is often the cast (actors often prefer their own clothing items, in which they feel comfortable). The Costume Coordinator may resort to local thrift shops as well. In all cases necessary alterations and adjustments ensure needed fit.
For special period costumes actually constructing them (or, as a last resort, renting them) may be needed. It may be more economical to purchase than to rent, so discussion with the Director and Production Manager may help.
At all times, attention must be paid to available resources and the financial plan. The General Manager approval before hand is required.
When items of clothing, accessories etc. are borrowed, the owner must be informed that Metro Theatre undertakes to safeguard the items, and return them in good condition, but that Metro Theatre cannot accept responsibility for loss or damage, whatever the cause, beyond the loss/damage provisions of the Society’s insurance coverage. If the owner wishes extra and specific insurance, Metro Theatre can arrange this, at terms to be negotiated between the parties. The Production Manager should be involved whenever this becomes an issue.
The Costume Coordinator prepares a list of all borrowed and rented items and gives a copy to the Production Manager and Stage Manager, together with any acknowledgements for the program, with respect to materials and services contributed to the show.
The Costume Coordinator is responsible for ensuring that Costumes and accessories used on stage (particularly borrowed or rented items) are kept clean and in good condition; this might include provision, and arrangements for the placing, of dust covers, or regular careful inspection and maintenance in between performances, and the periodic cleaning of items.
Approximately one week before Tech Week, the Stage Manager and Director will arrange for a ‘Costume Parade’ – a point in the rehearsal period at which Directors will require that all costumes be ready to be seen – and often a specific rehearsal is scheduled for consideration by the director, the costume designer, and others of the artistic leadership.